{"id":187,"date":"2021-06-20T20:00:53","date_gmt":"2021-06-20T20:00:53","guid":{"rendered":"https:\/\/sachikofullita.com\/?page_id=187"},"modified":"2021-06-20T20:58:02","modified_gmt":"2021-06-20T20:58:02","slug":"recorridos","status":"publish","type":"page","link":"https:\/\/sachikofullita.com\/?page_id=187","title":{"rendered":"Recorrido(s)"},"content":{"rendered":"

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Recorrido(s)<\/h1>\n

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Recorrido(s)<\/h1>\n

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Danza Teatro<\/i><\/b><\/p>\n

[\/et_pb_text][et_pb_divider color=\u00bb#ed4441″ divider_position=\u00bbcenter\u00bb divider_weight=\u00bb3px\u00bb disabled_on=\u00bboff|off|off\u00bb _builder_version=\u00bb3.2″ max_width=\u00bb150px\u00bb height=\u00bbfalse\u00bb animation_style=\u00bbslide\u00bb animation_direction=\u00bbtop\u00bb animation_delay=\u00bb100ms\u00bb animation_intensity_slide=\u00bb10%\u00bb][\/et_pb_divider][et_pb_text admin_label=\u00bbDiscover Beatuty Text\u00bb _builder_version=\u00bb4.9.7″ text_font=\u00bbRoboto||||\u00bb text_font_size=\u00bb16px\u00bb text_line_height=\u00bb1.9em\u00bb custom_padding=\u00bb30px|||\u00bb animation_style=\u00bbslide\u00bb animation_direction=\u00bbtop\u00bb animation_delay=\u00bb200ms\u00bb animation_intensity_slide=\u00bb10%\u00bb]<\/p>\n

Una mujer transita hacia el morir y surgen en su memoria otros tr\u00e1nsitos. La mirada se vuelca sobre s\u00ed misma y sobre el mapa que ha compuesto en su camino \u00bfescogido o impuesto?<\/p>\n

Un cuerpo impregnado de entorno y recorridos intenta despojarse de lo instituido para poder finalmente transitar su \u00faltimo trayecto.<\/p>\n

\u201cAcoger la diferencia en toda su potencia, supone vencer el miedo a la muerte. Aceptar la muerte del que se era para devenir otra persona.\u201d(Sor\u00edn, 2011)<\/p>\n

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Descripci\u00f3n del proyecto<\/h3>\n

Es un Solo de Danza que apuesta por un lenguaje corporal propio. Tiene como eje de creaci\u00f3n el cuerpo e integra en su lenguaje la proyecci\u00f3n y el texto. A trav\u00e9s de estos lenguajes se crea un tejido que permite al p\u00fablico aproximarse al sentido de la met\u00e1fora que se construye. La dramaturgia de esta pieza, evoca reflexiones sobre la impregnaci\u00f3n del entorno y la cultura en el cuerpo, el mapa que trazamos en nuestro camino recorrido y el tiempo que tenemos.<\/p>\n

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Origen de la Idea<\/h3>\n

Este proyecto surge como reflexi\u00f3n personal sobre nuestro propio proceso de construcci\u00f3n y la sociedad que construimos. Una sociedad, donde las instituciones (la familia, la educaci\u00f3n, el sistema de salud, el gobierno y muchas m\u00e1s) nos conducen, entre otras cosas, a anular la autointerrogaci\u00f3n, herramienta fundamental para nuestra integridad.<\/p>\n

RECORRIDO(s) surge como resistencia a esta domesticaci\u00f3n, como resistencia a estos tiempos en donde crece el miedo a escoger, el miedo al cambio, en suma el miedo a vivir, lo que implica que dejemos de concebir el morir como parte de nuestra existencia.<\/p>\n

En esta pieza se crea una reconciliaci\u00f3n con el morir y es abordado como desarme, como desestructuraci\u00f3n y reconstrucci\u00f3n; el morir como oportunidad para ir m\u00e1s all\u00e1 de las autolimitaciones y condicionamientos para permitirnos evolucionar.<\/p>\n

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Ficha T\u00e9cnica<\/h1>\n

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Concepto, creaci\u00f3n y direcci\u00f3n: Sachiko Fullita<\/p>\n

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Direcci\u00f3n:<\/strong> Diego Anido y Sachiko Fullita<\/p>\n

Composici\u00f3n musical:<\/strong> Matthias Schmal Filius<\/p>\n

Texto:<\/strong> Sachiko Fullita<\/p>\n

Dise\u00f1o de luces:<\/strong> Carlos Benito<\/p>\n

Video animaci\u00f3n:<\/strong> Zo\u00eb Schreckenberg<\/p>\n

<\/em><\/strong><\/p>\n

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Video\u00a0<\/h1>\n

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Fotos<\/h1>\n

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Recorrido(s)    Recorrido(s)Danza TeatroUna mujer transita hacia el morir y surgen en su memoria otros tr\u00e1nsitos. La mirada se vuelca sobre s\u00ed misma y sobre el mapa que ha compuesto en su camino \u00bfescogido o impuesto? Un cuerpo impregnado de entorno y recorridos intenta despojarse de lo instituido para poder finalmente transitar su \u00faltimo trayecto. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-187","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/sachikofullita.com\/index.php?rest_route=\/wp\/v2\/pages\/187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sachikofullita.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sachikofullita.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sachikofullita.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sachikofullita.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=187"}],"version-history":[{"count":11,"href":"https:\/\/sachikofullita.com\/index.php?rest_route=\/wp\/v2\/pages\/187\/revisions"}],"predecessor-version":[{"id":217,"href":"https:\/\/sachikofullita.com\/index.php?rest_route=\/wp\/v2\/pages\/187\/revisions\/217"}],"wp:attachment":[{"href":"https:\/\/sachikofullita.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}